Meiselas talks about her experiences during the Sandinista Revolution in Nicaragua in 1977, and how her image of the ‘Molotov Man’ would take on a life of its own; appropriated for artistic and political purposes in Nicaragua and beyond.
Meiselas talks about her experiences during the Sandinista Revolution in Nicaragua in 1977, and how her image of the ‘Molotov Man’ would take on a life of its own; appropriated for artistic and political purposes in Nicaragua and beyond.